A comparison of romeo and juliet and west side story in american literature
Many of the events also reflect each other, yet small differences give them uniqueness. The love story proved to have universal appeal throughout all artistic forms, as it had already been adjusted for opera and ballet.
Romeo and juliet and west side story comparison essay
Modern, postmodern? Cool, right? Anita: Hello, thank you for having me. In this critique, I will be reviewing aspects of scenography, costumes, music, and many other pieces of the successful production. Maria and Toni do not get married, which is in contrast to Romeo and Juliet. As in the case of Tony who died at the end of the story in West Side Story. Both relationships in each individual time period faced severe pressure when their love crossed into a different section of society. But, on closer examination, one can determine all of the areas of West Side Story that did break away from Romeo and Juliet. It is about rivalry between two teenage gangs of different backgrounds.
And nope, we don't source our examples from our editing service! After comparing and contrasting the two plays I've come the conclusion that Romeo and Juliet is better than West Side Story.
They defy their families, while we defy our race, cultures, and gangs. Along with the dance atmosphere, the discovery of the doomed love affair is interpreted in a unique fashion in West Side Story, possibly losing passion in the adaptation.
Then, Jerome Robbins reaffirmed this rejection of postmodernity and introduced us to the idea of modernity, and how it is integrated into the show, although there are minute pieces that could arguably be categorized as postmodern.
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West side story references romeo juliet
One of the most obvious differences would be the introduction of music, song, and dance—the musical theatre genre. His prejudice almost permits the brawl to go on, and the Jets certainly take the hint. I believe West Side appropriates Romeo and Juliet in a way that re-positions it within a cultural framework that makes it more accessible and relevant to a present day audience. Arthur Laurents: My pleasure. I was also able to subtly include little motifs throughout the show, creating a through line and overall symmetry through such an asymmetrical score that pulls together pieces from several disciplines, but in a way that is still unpredictable. Ladies and gentlemen, I introduce to you the great and talented, Arthur Laurents! People had their doubts about Jerry, Leonard and I being able to write this kind of show, that our ideas butted heads too much. I believe that, to many audiences, I evoke a sense of nostalgia for the classic and traditional Juliet they know and love, particularly in the pastiche and intertextuality of the balcony and fire escape scenes. Leonard Bernstein: Yes, I believe so. Audiences cherish Romeo and Juliet as one of the most beloved plays of all time from the Elizabethan Age to the present. Stephen Sondheim: Well hello to all, and thank you for bringing me in today.
Their attempts were too direct though, in terms of translating modernist poetry and art directly onto the stage, and drove them both away from producing theatrical pieces in the modernist form. However, the whole idea of rebellion is breaking away from tradition, which is strictly modern.
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